Postcards 08: Le Camping









We are camping for the summer in France, while we rent our house out. Here are a few photos from the last couple of weeks.

01. The first campsite we visited in lovely Brittany. 02. At our current campsite in the Gironde. Think pines and sandy beaches. 03 & 04. A technicolour rug on the forest floor. 05. Always looking for snacks. 06. We brought bikes to explore. So far we’ve cycled 300m to the beach every day. 07 & 08. Wren is fascinated by Bug Bingo. She uses it for matching and sorting bugs as well as playing the actual game. There are lots of real bugs here too.

Note: Wren’s dress is by Pala Mino. Check out their new collection here.

Join: Polka Dot Club





I’ve had my eye on Jennifer Murphy’s beautiful handmade bears for a while and have been thinking of making Eli, a tiny stuffed elephant from one of her downloadable patterns. I contacted Jennifer to ask a few questions about her work and to find out more about the POLKA DOT CLUB.

How did you start making bears and soft toys?
My mom has always been a collector of things and in the 1980’s she was especially drawn to old mohair teddy bears. At the time selling, they were selling for thousands of dollars, so she decided to try making them herself. The only place we could find the mohair fur that was similar to the old toys was in lining of vintage jackets. We would drive all over southern michigan to every thrift store gathering old jackets and ripping them up. This all started when I was 7 years old, and by the time I was 11 she had quit her conventional hospital job and was traveling all over the country selling her amazing teddy bears to collectors. An artist teddy bear movement was happening and there were huge shows popping up all over the world. Convention centres were filled with people making and buying teddy bears. It was a strange and amazing way to grow up. My mom built a business and made it work. I was inspired.
I started out making bears from the scraps she couldn’t use when I was 11. I would put a few of my bears out on her table at shows and began to draw collectors of my own. I put myself through college, making and selling bears, and in 2001 I launched my website I’ve been making mohair and wool toys for what feels like my whole life. It’s a strange and amazing thing to be a second generation teddy bear maker.
What is the POLKA DOT CLUB?
is a collection of heritage 
toys. Each bear is made by hand in Minneapolis, using the same materials and techniques employed by the finest toy makers over 100 years ago.
The first teddy bears were designed and made out of mohair and it’s still the best fabric available today. Our mohair is woven on one of only a few looms left in the world. The mohair fibers (sheared from the mohair goat) are looped onto cotton backing, creating a 100% natural fur that’s durable, beautiful, and totally unique but because of its expense and rarity almost no toy makers use it today. Mohair ages very differently than the contemporary alternative – synthetic plush. It ages with dignity, showing it’s years gracefully and begs to be passed on from one generation to the next. Inside all PDC bears is 100% cotton stuffing and the Classic Bears are disk jointed allowing the head and limbs to turn freely. I hand embroider each nose one at a time with love and care. Every step, process, material, and fiber is chosen specifically with your child in mind – It’s not easy or fast but every PDC bear is made with intention and love.
What is the difference between the POLKA DOT CLUB and your own Jennifer Murphy Bears?
I started making and selling my bears when I was so young, it was a business that slowly turned into a living before my eyes. I sold one-of-a-kind mohair pieces that looked like toys but were made for adult collectors to plop on a shelf and admire. I was basically making toys that weren’t meant for kids, which just seemed wrong given my inspiration was old toys that were played with to the point of becoming hairless and deformed with love. No one was making mohair toys for kids today. Even Steiff, the first and finest maker of teddy bears and animals was making stuffed animals “not intended as a toys”. I wanted kids besides my own, to have these objects, and have the pleasure of passing them on to their children. It has so much to do with those bears my mother and I admired when we began this whole thing in the 80’s. Bears that were over 100 years old, and played with for generations. I wanted to start that again.
How do your kits work? I’d love to make one – are they difficult?
I’m really connected to the materials I use – mohair specifically is just so beautiful. I want everyone to be converted to it’s magic so I’ve made patterns and supplies available on my website. While none of the patterns are easy, the instructions are incredibly detailed. There are videos and so many photos, in the 5 years they’ve been available, I think I had one person have an question about how to do something. That feels like a victory.
Basically, there are the patterns and then there are the supplies needed to make those patterns. You can buy one or both. I think it’s easier to make the project with the materials it was drafted for, but wool felt or even cotton would work too. Skip the synthetic fur though, the backings are just too thick for these patterns. I think it would just be an exercise in frustration.
Where can people buy your bears?
Both of my websites have online shops. In the JMurphyBears shop, there are patterns, supplies, and occasionally I update it with one of a kind and limited edition teddy bears and animals for collectors. I announce the date and time for the updates on my social media feeds and my mailing list.
As for the POLKA DOT CLUB, there are a handful of pieces I make available all the time like the PDC Classic Bear, but I’m always working on new things. For instance this spring I made a Rolypoly linen Rabbit which was only available for a short time. I like to switch things up in the studio, it keeps the whole process fresh for me while bringing new designs in to the mix.
What are your plans for the future?
There are so many challenges in starting this new business. The POLKA DOT CLUB is now only a year old, though it took about 4 years to nail down all the details and legal issues not to mention the millions of little details I couldn’t ignore before I was ready to launch it out into the world last summer. I feel like I’m just beginning to get my footing, but I have plans for new designs and pairing with other designers and artists for collaborations. Most importantly, I plan to spend this summer with my two little kids, the oldest of which heads to kindergarten this fall. How time flies.

Thank you Jennifer! Please visit to find out more.

Flammer’s House

Flammer House 05

Flammer House 03

Flammer House 02

Flammer House 01

Flammer House 04

Flammer House 015

Flammer House 06

This house has got so much going for it that I love; the steeply pitched roof and overhanging eaves, the black cladding, large round and rectangular windows and the visible criss-crossing timber braces that support the building. The house is located in northern Switzerland and was designed by local architect Pascal Flammer. Sitting between a wheat field and a thicket of woodland, the place has a definite physical connection with the world outside of its continuous windows. Once the building is softened with some well-loved furniture, rugs and the messiness of everyday life, I think it will look beautiful.
Talking of everyday life, we’ve been making a few changes around here lately. Obviously nothing on the scale of this house – in fact it’s quite ridiculous of me to even write of them in the same space. Still, I may post a few pictures soon, if I ever get around to taking any…

Meet: Maryanne Moodie

Maryanne Moodie 05

Maryanne Moodie 09

Maryanne Moodie 06

Maryanne Moodie 03

Maryanne Moodie 01

There are so many amazing wall hangings around at the moment. I love that this craft is enjoying a resurgence as I’ve always been partial to a bit of fibre art – the weirder the better for me. I caught up with rising star of the scene Maryanne Moodie to find out more about her work.

How and when did you start weaving?
About three years ago. I was searching for a craft to pursue and when I found weaving, something inside me just turned on. I was hooked!
What materials do you use and how long does each piece take?
I use all types of yarn and textiles in my work. I use lots of vintage yarn as well as small batch, hand spun and hand dyed wool. I also use handmade beads sometimes, as well as things I find at the hardware store.
What do you enjoy most about the process?
I enjoy working closely with my clients to ensure I create a piece that is wholly them. It will be a piece that has the privilege of hanging in their personal private spaces. I want to create a piece that will bring good vibrations into their homes and their lives.
Where do you sell?
I sell only via commission at the moment. I feel so lucky that I can enjoy the process in an individual way that is different for each client.
Do you have any plans for the future?
Yes, I am setting up weaving classes in NYC and Australia and I am commissioning a carpenter to help me put beginners weaving kits together. I am also filming an online weaving course that I hope to have live in April/ May. All very exciting!

To see more of Maryanne’s work, please visit her website or follow her on Instagram.